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Authors:
Mario Lion, Daniel Burak, Beatriz Pustilnik.
El
Chino Bar is a pub with flaking walls where the essence of tango
is preserved. Its artists are mythical, especially its creator,
Jorge Garcˇs, known as "El Chino". During his life, El Chino attracted
different audiences, who found in the place and the artists the
value of authenticity, of genuine feelings, without commercial tricks.
Jorge (47), moviemaker, turns 48; his friends take him to El Chino
Bar. They know that the place is special for him. For months he
shot images there, trying to capture the essence of the bar, its
people and their feelings to make a documentary. So he became friends
with the bar's owner, El Chino, and the artists there. Heartbroken,
when El Chino died, he decided not to go on with the shooting. Jorge
survives on making institutional videos, but he's not really interested
in this work. He is shooting the construction of a highway for a
Spanish company, sub-hired by Jesús, whom he knows from the
time he was exiled in Spain. After he got divorced, his ex wife
and son, Nacho, stayed in Madrid and he came to Argentina. That
night, while he's enjoying the evening at the bar, he sees Martina,
a young woman who is shooting some images for TV. At first, she
looked indifferent to the place, but she immediately got immersed
in the bar's warm atmosphere. The next day, Martina watches the
shots she has made, and plans to make a documentary. She finds out
that someone has some material filmed before El Chino's death and
goes to see him. It's Jorge. After several visits, she suggests
making the documentary together. Jorge doesn't look interested at
first, but Martina convinces him. Beto, Martina's co-worker with
whom she has an occasional relationship, provides the equipment
they need. Jorge, encouraged by Martina, offers Jesus the movie,
who accepts to buy it and sends him an advanced payment. Martina
and Jorge feel happy because they are doing what they really like.
They shoot new meetings and feel that the project is bringing them
together. Jesus arrives to Buenos Aires, and complains that the
highway construction work is delayed. Martina helps Jorge with this
project. After long shooting hours, they enjoy their first night
of love. The economic and political situation in Argentina becomes
critical. As a limit is set to bank withdrawals ("corralito"), Jorge
canÕt withdraw the money Jesus has sent him as an advanced payment
for the documentary. There are manifestations in the streets, and
Jorge and Martina participate in the pot-banging protests ("cacerolazos").
However, they managed to finish the work for Jesus. In view of the
country's unstable situation, the highway company decides to stop
investing and doesn't buy the video. This makes Jesus change his
mind about buying El Chino movie. When Jorge learns this, he goes
back to the studio. Martina has more bad news: Beto has found out
about her relationship with Jorge and decided to stop helping them
with the documentary. In spite of the difficulties, they try to
finish the documentary project. But Jesus offers Martina a job in
Spain, and she accepts. Jorge is disappointed. He says goodbye to
her by singing a serenade with the singers of the bar. He gives
her a tape with parts of the movie for his son, Nacho. Without Martina,
with the money caught in the bank and without the necessary equipment,
he quits the project again. He gets depressed and his friends try
to help him. When Nacho learns about the situation in Argentina,
he travels to Buenos Aires. He has good news: Jorge will become
a grandfather. He also gives him a present: Martina has sent him
a video where José Sacristán, the Spanish actor and
El Chino's friend, speaks about the bar. Jorge pulls himself together.
Before leaving to Spain, Nacho receives a present from his father:
"Pichuco", a puppet made by his grandfather, which represents the
famous Argentine musician Anibal "Pichuco" Troilo. Nacho also has
a present for him: a puppet of El Chino, which Nacho made during
his stay in Buenos Aires. Jorge arrives to his house. When he sees
a picture of Nacho enjoying himself at El Chino Bar and then watches
the documentary images shot, he resolves to continue the shooting.
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